鄉愁無所歸：酌情公開 Displaced Nostalgia: Not So Personal (2025)
在資訊龐雜紛亂的當代，即時性往往凌駕於分析與斡旋，導致我們的生活缺乏反思與專注的空間。在藝文活動繁茂的三月，我們可如何營造一個場域，邀請觀眾稍停喘息、細閱沉澱？
為此，WMA請來曾旅居多地的藝術家組合金志玟與小說家鄧尚敬，以《鄉愁無所歸：酌情公開》的延時性表演，詮釋及回應麥海珊的「查無此人」。
演出邀請觀眾放下電話手錶，在模糊的時空中自由駐足或進出，以另一重的目光，感知時間的流動，思索離散與家的連繫。過程中金氏重新整理和投射家的物件，而鄧氏則以書寫作為回應，同時邀請參與者一同沉澱既個人亦集體的經驗。
The contemporary overflow of information prioritises the immediate over analysis or mediation, leading to a life that lacks reflection and focus. Amidst the dynamic bustle of March’s cultural events, can we carve out a space where audience can breathe, and immerse themselves in contemplation?
WMA invites artist Jeemin Kim and novelist Shueng-King Aaron Tang, who has lived in multiple locations, to present a durational performance titled “Displaced Nostalgia: Not So Personal,” interpreting and responding to Anson Mak’s “No Such Person.”
The performance invites audiences to lay aside their devices and enter, enter, wander and exit freely in a realm where time and space blur. With a fresh perspective, they can attune themselves to the fluidity of time and ponder the intricate connections between displacement and the notion of home. As Kim rearranges and projects household objects, Tang responds through the act of writing, inviting participants to immerse themselves in a shared experience that is both deeply personal and collectively resonant.
*演出長度為七小時，期間登記觀眾可隨意出入表演空間。
*Over the course of the performance, which lasts for 7 hours, registered audiences are free to enter or leave the space at any point.
關於藝術家 About the artists
金志玟（1993年生）為一位繪畫和裝置藝術家，其藝術實踐關注歷史和神話的構建方式，挑戰主流敘事。她曾於英國藝術學院就讀，現駐首爾。
JeeMin Kim (b.1993) is a painting and installation artist whose practice interrogates the ways in which history and mythology are constructed, challenging dominant narratives. Having art training in the U.K., she is currently based in Seoul.
鄧尚敬（1994年生）為一位小說家，作品探討跨國亞裔移民的內部生活（Thea Lim，《國家》雜誌）。曾獲多項寫作獎項的他生自加國，成長於香港，現駐幾地。
Sheung-King Aaron Tang (b.1994) is a novelist, whose work examines “the interior lives of the transnational Asian diaspora” (Thea Lim, The Nation). A recipient of several national writing awards, he was born in Vancouver, grew up in Hong Kong and is currently based in multiple locations across continents.
